Posts Tagged cork


Bevan Davis – Salome (1)

Bevan Davis – Salome (1)

“A Moment in Time” is the brainchild of Boss Models and Artist Management along with Bell-Roberts Gallery. It is an exhibition of photographic works by some of South Africa’s most talented fashion photographers, stylists and hair and make-up artists, all of which are 1/1 and signed by the artist. The exhibition opened on the 22nd of October, and patrons are invited to bid for the works online up until the 30th of October 2009.  All proceeds go to “Missing Children SA Charity.”

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Bevan Davis – Salome

Bevan Davis – Salome

“A Moment in Time” is the brainchild of Boss Models and Artist Management along with Bell-Roberts Gallery. It is an exhibition of photographic works by some of South Africa’s most talented fashion photographers, stylists and hair and make-up artists, all of which are 1/1 and signed by the artist. The exhibition opened on the 22nd of October, and patrons are invited to bid for the works online up until the 30th of October 2009.  All proceeds go to “Missing Children SA Charity.”

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Looking Through the Window at Life

Looking Through the Window at Life

This is one of Anton De Beer’s “Bridal Boudoir” photographs

“Looking though the window at life. You look amazing to me” is the title given to this photograph by the model, Kira Wilkinson. Kira and I shared a chalet whilst touring Jo-Burg with Madame Zingara and when she finally returned back from the UK I felt privileged to finally work with her on a test. I really love the ambiance of this photograph, the lighting, the reflections in the glass and the neutral colour palette. I hope to work with this team again soon!

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Chelsea

Chelsea

The final image of our Bridal Boudoir.

A clean cut beautiful girl dressed in White and Silver.

Pictures to follow for those of you wearing ivory – or red!

Main Make-Up ingre­dients: MAC: strobe cream (radiance), face and body foun­da­tion (pow­der only where neces­sary), mine­ra­lize skin­fi­nish (one shade dar­ker than her com­ple­xion for a gentle con­tour — alt pro­duct, bron­zer in “gol­den”) eyesha­dow: “cork” , “brule”, “vani­lla”, cre­me­blush in “uncom­mon” lip pen­cil: “spice” lips­tick: “honey­love” mixed with “kinda sexy” top­ped with clear lipglass.

Beaded Wedding Dress by Gavin Rajah.

Photographer:Robert Miller

Model: Chelsea L from Infinity models

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Clare Kuiper

Clare Kuiper

Make-Up: Main Make-up Ingre­dients: MAC: Apply Strobe Cream — to give the skin radiance, the buff Stu­dio Fix Fluid -( in my expe­rience it’s the lon­gest wea­ring of MAC’s foun­da­tions which makes it ideal for bri­des) into the skin with a stip­pling brush (I like the #187). Apply “vani­lla” under the brow bone, “Cork” and “bronze” to the crease, “All that glit­ters” and “arena”to the ball of the eye and then line the eye with “rich ground” fluid­line. Set the brows with clear brow gel, and then gently fill them in with eyebrow pencil: “lingering”, gently dust some “gingerly” (sheertone) blush onto the cheek­bone for a girly glow. Dust over the entire face with Prep+Prime trans­pa­rent finishing pow­der and then finish the lips with “smoothberry” lipli­ner and “full-for-youplushglass to really accentuate that pout.

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Kira

Kira

One of Anton De Beer’s “Bri­dal Bou­doir” photographs, “Kira” is a sexy and powerful portrait of Kira Wilkinson.

Kira Wil­kin­son is a South African Actress who I felt pri­vi­le­ged to work with. She has an amazing body, accompanied by a powerful face and powerful soul. She pulls off this shot fantastically!

Main Make-up ingre­dients: MAC: Face and Body in C6, brow-gel in clear, MAC eyeshadow in “brule”, “woodwinked” “embark”, “cork” and “shroom”, tech­na­kohl liner in “graph­black”.

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Colette – final

Colette – final

The final image, my personal favorite, from my first shoot with James Strack and Caroline Olvarrietta. For me, this is the show where Colette looks the most beautiful, and also a shot which utilizes the amazing “soft natural light” James created. It was a privilege to work with this great team.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated

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Colette (2)

Colette (2)

This was my first shoot with both James and Caroline. James asked me for “something neutral” keeping the colours to creams, browns and greys.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated”

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Colette

Colette

This was my first shoot with both James and Caroline. James asked me for “something neutral” keeping the colours to creams, browns and greys.

James  wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilized strategic channels of natural light with the help of an accompany assistant and his board, so it was important for the make-up to look “soft” and “fuzzy” whilst still sculpting Colette’s face. By using Colette’s natural colour palette ( the colours in her hair and skin) I was able to keep this look “simple” and “uncomplicated”

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Shades of Grey

Shades of Grey

This is one of the first images from my first shoot with James Strack. James asked me for “something neutral” keeping the colours to creams, browns and greys. James said he wanted to focus on texture and light, monopolizing the unique set he designed for the shoot which utilised strategic channels of natural light with the help of an accompany assistant and his board.

Main Make-Up ingredients: Blending! I used MAC’s #224 brush to really “fuzz down” her shadow and enable me to apply shadow from very light to dark without any tell-tale lines or patches. MAC eyeshadow: “brule”, “cork”, “garcon grey” lips: pencil in  “stripdown”  lipglass in “majestic”.

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